While speaking to Amelia and Owen about my project they suggested I look at Jan Svankmajer’s work. I particularly enjoy the 1990 film Darkness light Darkness. I admire how it ‘plays’ with the materials used ( clay) to add to the narrative.
Here is my development of my armature skeleton puppet making research i conducted for my Stop-Motion Animations. Following this creation i created a rough storyboard to which i experimented with puppets and audio editing, tying together previous experiments and putting the knowledge gained from them into use.